“In the early days of our movies, Wes had pretty much chosen ahead of time every song that was going to be in the movie, and we would play it on set,” says Yeoman. “It just gave everyone the right attitude toward the scene.” As for those immaculately dressed sailors marching into the frame behind Richie as he falls deeper into love, “That’s one of those details that Wes comes up with — and he does it time after time — that make the scene memorable,” says Yeoman. “You might have the shot ready to go, and he’ll throw in something like that to give it a distinct style. I really do think that’s what defines him as a filmmaker.” Robert Yeoman for the article ‘How Wes Anderson’s Cinematographer Shot These 9 Great Scenes‘.
As one of my favourite directors, Wes Anderson’s cinematographer Robert Yeoman explains him best. His is a man of great brilliance, each film brings forth a unique entity all its own — Capturing the lives of both those on screen and those in front of it.
In his film, “The Royal Tenenbaums”, the story is that of a disjointed family known as the title states, theTenenbaums. It is comprised of child geniuses turned adult, a broken family structure and the individuals that fill in the cracks, and still that’s not even half of the complexity that is brought forth throughout the story. And with great writing and cinematography comes great music.
Within each scene, within every emotion portrayed by the characters, the musical undertone amplifies each and every single detail. Comprised of songs like “The Fairest of the Seasons” by Nico or “Me and Julio Down by the Schoolyard” by Paul Simon, the film moves through the motions of life, expressing inner feelings not seen by the naked eye but felt by something deeper within.
It is with this in depth connection that Anderson is able to create such magnificent masterpieces and allow the audience to become one with the film and place they themselves into the story that takes place at 111 Archer Avenue.
TRACK LIST (2002 Soundtrack Re-Release):
- 111 Archer Avenue by Mark Mothersbaugh
- These Days by Nico
- String Quartet in F Major (Second Movement) by Maurice Ravel, performed by Ysaye Quartet
- Me And Julio Down By The Schoolyard by Paul Simon
- Sonata for Cello and Piano in F Minor by George Enescu, performed by The Mutato Muzika Orchestra
- Wigwam by Bob Dylan
- Look At That Old Grizzly Bear by Mark Mothersbaugh
- Look At Me by John Lennon
- Lullaby by Emitt Rhodes
- Mothersbaugh’s Canon by Mark Mothersbaugh
- Police And Thieves by The Clash
- Scrapping And Yelling by Mark Mothersbaugh
- Judy Is A Punk by Ramones
- Pagoda’s Theme by Mark Mothersbaugh
- Needle In The Hay by Elliott Smith
- Fly by Nick Drake
- I Always Wanted To Be A Tenenbaum by Mark Mothersbaugh
- Christmas Time Is Here by Vince Guaraldi Trio
- Stephanie Says by The Velvet Underground
- Rachel Evans Tenenbaum (1965-2000) by Mark Mothersbaugh
- Sparkplug Minuet by Mark Mothersbaugh
- The Fairest Of The Seasons by Nico
- Hey Jude by The Beatles, performed by The Mutato Muzika Orchestra